Nicolas Deville, architect and co-founder of studio ADAo, explains how the idea for this work, in which the association of stone and water has distant origins, came about:
“For this project, given the geological origins of Lake Geneva but also the legend linked to the figure of the giant Gargantua who is said to have dug the lake, the use of stone was an obvious choice. From the outset, there was a close relationship between lake and rock, between water and stone. Access to the bathing platform is via a path that crosses a reedbed. Made from blocks salvaged from the site, this path leads to a narrow footbridge spanning the last few metres separating the platform from the shore. It’s a kind of initiatory journey, designed to take one’s mind off the hustle and bustle of the quayside.
The bathing installation, a crescent of stones, creates a “port of bathers”. The broken circle orients the figure towards the Geneva harbor and its Jet d’eau. This timeless construction seems unfinished, or perhaps it’s already partially “in ruins”.
In short, there’s something improbable about this “crescent” of stones on the water. This assemblage of meticulously selected, cut and sawn blocks of Botticino marble speaks to us of the context, the history of the place and the ability of rock to stand the test of time without losing its substance. Stone and water, immobile stability surrounded by an ever-changing liquid mass. Mineral matter, frozen and petrified, versus fluid in perpetual motion.
Omnipresent in our lakeside projects, the figure of the circle is broken here to interrupt the circular, infinite movement in order to instill calm and stability into the construction. This space offers people a place to relax and contemplate the landscape.”